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<\/a><\/figure>\n\n\n\nClair Obscur: Expedition 33<\/p>\n\n\n\n
Developer:<\/strong> Sandfall Interactive Every year on the island of Lumiere a godlike entity named the Paintress paints an ever-decreasing number on a rock formation which initiates the \u2018gommage\u2019, an event which Thanos-snaps out of existence anyone of that age. Every year the Lumerians send a new expedition to try and prevent the Paintress\u2019 next cull. As the name of the game suggests, Clair Obscur is the story of the 33rd expedition embarking on this journey.<\/p>\n\n\n\n The game itself is a finely crafted turn-based rpg that both generously borrows from some of the most famous JRPGs that inspired its creators but also introduces new timing-based mechanics like parrying, dodging and counter-attacking. Combined with the various skill trees and heavily customizable Ability Points system which allows you to unlock some clever synergies between the playable characters, it is one of the refreshing and entertaining role playing games in recent memory.<\/p>\n\n\n\n If that wasn\u2019t enough, the game has an attractive Belle Epoque setting, a stellar voice-acting cast – including Ben Starr, Jennifer English and Charlie Cox \u2013 and a briskly paced narrative that is quick to hook you in and has uncommonly good writing and character development.<\/p>\n\n\n\n That the game was made by a such a small team of developers \u2013 a mix of experienced talent who left Ubisoft as well as young newcomers, including a musician who was hired from a Reddit post \u2013 Clair Obscur: Expedition 33 has been the underdog developer story which fans have rallied around.<\/p>\n\n\n\n Blue Prince<\/p>\n\n\n\n Developer:<\/strong> Dogubomb Upon the passing of your great uncle Herbert S Sinclair, you the player are bequeathed the Mt Holly Estate, a strange and ethereal mansion that changes its interior each time you enter it. Per the instructions in Sinclair\u2019s will, in order to secure the inheritance you are required to find the 46th room in the mansion, which is the only room in the building which has a fixed location.<\/p>\n\n\n\n Building off of this intriguing premise, developer Dogubomb delivers one of the most engaging and delightful puzzle games of the year. I was really hooked by the game\u2019s central mechanic of choosing and building the rooms you enter as you try to reach the 46th room with only a finite number of steps at your disposal.<\/p>\n\n\n\n In the spirit of great indie puzzle titles like The Curse of the Golden Idol, Return of the Obra Dinn and The Witness, you\u2019ll likely find yourself scrawling notes, taking dozens of screenshots and losing hours of time to making \u2018just one more run\u2019 as you gradually uncover the game\u2019s many secrets and find this thing goes way, way deeper than its initial premise might suggest.<\/p>\n\n\n\n Depending on your tolerance for the game\u2019s RNG and its more confounding puzzle elements, Blue Prince could be anywhere from a 20hr experience to a 100hr one. Personally I had my fill of it around the 30hr mark and left feeling plenty satisfied with what it had to offer. For those who fully give themselves over to the game, there is plenty more to uncover even beyond the 46th room.<\/p>\n\n\n\n Hades 2<\/p>\n\n\n\n Developer:<\/strong> Supergiant Games There are some pretty innovative games in my top ten list year. I don\u2019t even know what genre Donkey Kong Bananza could be categorized as for instance. But sometimes theres something to be said for an iterative sequel. If it isn\u2019t broke, don\u2019t fix it. Hades 2 is exactly that.<\/p>\n\n\n\n Five years after the launch of its smash hit rogue-like Hades, Supergiant Games has released a highly polished and exquisitely designed successor that sticks to the foundations of the original game but gives players a new set of boons to experiment with, not one but two different paths to follow (underworld and surface) and more of the playful banter from the gods which was such a key part of the original title\u2019s appeal.<\/p>\n\n\n\n Be warned that although Hades 2 is functionally very similar to the original, I also found it to be a good deal harder. The slick presentation and smooth onboarding meant I was having plenty of fun straight out the gate but I\u2019d say it wasn\u2019t until around the ten hour mark that I started to get a decent read on what types of synergies were achievable with the new boons and the game really clicked. And then that unlocked my favourite parts of the Hades experience \u2013 chaining together a glorious synergy of boons that trivializes the difficulty and lets you annihilate a boss that was previously giving you trouble.<\/p>\n\n\n\n Iterative, not innovative. Hades 2 is still best in class and a worthy follow up for anyone wanting more top tier run-based action rpg entertainment.<\/p>\n\n\n\n Donkey Kong Bananza<\/p>\n\n\n\n Developer:<\/strong> Nintendo EPD At the long awaited launch of the Switch 2, plenty of Nintendo fans were hoping for a new 3D Mario, just as we were treated to Super Mario Odyssey in the launch year of the original Switch.<\/p>\n\n\n\n Nintendo, who always like to zig when expected to zag, gave us a new 3D Donkey Kong game instead. And instead of a conventional platformer, it made something new entirely.<\/p>\n\n\n\n Although there is platforming involved, DK Bananza is more of a smash \u2019em up, where punching and destroying the environment is the primary mode of play. It sounds simplistic to the extreme and on paper might sound like an exercise in tedium but Nintendo are able to get incredible mileage out of this idea with its expansive, colourful and creative levels (referred to as \u2018layers\u2019) and it places surprisingly few restrictions on where or how much you can smash.<\/p>\n\n\n\n Bananza is a game with a real sense of immediacy in offering fun to the player. The first instruction on the screen \u2013 \u2018punch\u2019 \u2013 appears within the first few seconds of the game. And yet, it is also a game that keeps plenty of cards up its sleeve and doesn\u2019t unlock its most enjoyable power-ups and best levels until the very final home stretch of the game. The very final stage of the game, plus the reveal of the final boss, is an all-timer.<\/p>\n\n\n\n Ball x Pit<\/p>\n\n\n\n Developer:<\/strong> Kenny Sun There are certain genres that have really risen to a place of prominence in the gaming landscape, particularly amongst the indie space. Run-based games, deck builders, Metroidvanias are all very popular and they\u2019re basically a dime a dozen at this stage.<\/p>\n\n\n\n Which leads us to games like Ball x Pit. Kenny Sun\u2019s latest game is a Frankenstein genre mash up. It takes a known beloved quantity \u2013 in this case Vampire Survivor\u2019s aesthetic, retro art style and levelling system for its multitude of power ups \u2013 and applies it to the ball-bouncing gameplay stylings of Arkanoid, Breakout etc.<\/p>\n\n\n\n It’s very easy to see what inspired Ball x Pit but to its credit, imagining such a creation is one thing, building it is another. And Ball x Pit is a skillfully constructed variant of the Vampire Survivor motif and it manages to capture that same secret sauce, that same satisfying sense of progression and that same \u2018one more go\u2019 addictiveness that makes you boot up the game intending to play for half an hour only to find that several hours have just melted away.<\/p>\n\n\n\n A city builder mini-game between stages might prove to be divisive for some players but personally I enjoyed it as a minor distraction before jumping back in the pit for another run.<\/p>\n\n\n\n Dispatch<\/p>\n\n\n\n Developer:<\/strong> AdHoc Studio Dispatch \u2013 Adhoc Studio\u2019s debut episodic story-driven superhero game – is not my favourite game of the year. It\u2019s really close. But it\u2019s not number one.<\/p>\n\n\n\n But my personal favourite game of 2025 is notoriously difficult and has rather sadistic level progression that won\u2019t be for everyone. Dispatch on the other hand is a pleasure from the very start until the final credits. It\u2019s a game that anyone can play and enjoy. Which easily makes it my most recommendable game of 2025. If you\u2019re reading this and haven\u2019t played Dispatch, you should stop reading this and start playing Dispatch. Its so, so, so, good.<\/p>\n\n\n\n Players take on the role of Robert Robertson, a former superhero who retires when his mech suit is destroyed in combat. Robertson becomes a call centre dispatcher for a team of ex-villains who are trying to reform their ways. Cat stuck in a tree? People stuck in a burning building? Robertson fields the emergency calls and assigns one of the Z-team to save the day.<\/p>\n\n\n\n In the 2025 media landscape, I\u2019d say it\u2019s virtually impossible to feel innovative within the superhero genre. There isn\u2019t really anything that hasn\u2019t been done before and Dispatch\u2019s wisecracking team of low rent villains trying to make good isn\u2019t exactly fresh material. But where Adhoc\u2019s game shines is in the quality of the writing, the superb animation work and the excellent voice acting.<\/p>\n\n\n\n I found myself invested in the fortunes of Dispatch\u2019s cast of characters quickly. I was bought into the \u2018will they\/won\u2019t they\u2019 romance that Robertson finds himself in and regularly laughed at the banter between the Z-team. Although the baseline vibe of the game is smart-arse workplace comedy, the writers do occasionally shoot for earnest moments of romance, drama and pathos. And I think it\u2019s a resounding success.<\/p>\n\n\n\n I also feel that Adhoc has made real strides with the episodic game formula popularized by Telltale Studios a decade ago. The dispatch mini-game itself is simple but enjoyable and it\u2019s a type of interactivity that keeps the pacing of the game moving along briskly while still proving to be a useful vehicle for learning about each character and the personality dynamics between them.<\/p>\n\n\n\n I think if Dispatch had been a tv show it would be a breakout hit. The storytelling and writing is that good. As it so happens it\u2019s a video game. It\u2019s sold pretty well but I think it deserves a bigger audience still. Anything to improve our chances of a direct sequel or a new project for Adhoc. So stop reading this and go play Dispatch. You won\u2019t be disappointed.<\/p>\n\n\n\n Despelote<\/p>\n\n\n\n Developer:<\/strong> Julian Cordero and Sebastian Valbuena Despelote (Latin American slang for \u2018hot mess\u2019) is a wonderful slice of life adventure game about creator Julian Cordero\u2019s own memories as an eight year old living in Ecuador during the 2001 South American qualifying campaign for the World Cup. Rank outsiders, Despelote begins with only a handful of games in the campaign remaining but Ecuador still a chance of qualifying thanks to star striker \u2018Tin\u2019 Delgado.<\/p>\n\n\n\n We see the world through the eyes of Julian and learn about life in Ecuador through snippets of conversations between his parents and extended family, the schoolyard chitchat amongst Julian\u2019s friends and the general ambient dialogue on the streets of his hometown Quito.<\/p>\n\n\n\n Parts of Julian\u2019s experience are deeply relatable. Playing games in the park with friends and turning anything you find lying around into a makeshift soccer ball. Being bored at a distant relative\u2019s wedding and passing time sitting under a table chatting with other kids. Squabbling with siblings over who gets to the use tv.<\/p>\n\n\n\n There are also moments that are uniquely Ecuadorian in experience. After one game, the national soccer coach is attacked in a hit organized by the former prime minister. One month the local currency collapses and the country switches to using American dollars.<\/p>\n\n\n\n I can\u2019t recall ever playing a game \u2013 indie or mainstream \u2013 that so successfully captures a sense of time and place the way Despelote does. I felt as drawn in as I would watching an Alfonso Cuaron film about his hometown. Developers Cordero and Valbuena do a terrific job bringing the people, culture and historical milestones of this diminutive little town to a wider audience. It’s an incredible achievement.<\/p>\n\n\n\n Final Fantasy Tactics – The Ivalice Chronicles<\/p>\n\n\n\n Developer:<\/strong> Square Enix Yasumi Matsuno\u2019s seminal work Final Fantasy Tactics (originally released in 1997) is the perfect tactical rpg game. Set in the fictional world of Ivalice, it tells the story of a high-born noble Ramza Beoulve who becomes entangled in the War of the Lions between two rival nations.<\/p>\n\n\n\n First and foremost the game has a rich and intricate job class system which encourages experimentation, finding creative synergies between different units and makes playing each encounter a joy. Tactics also has an incredible soundtrack and beautiful art style that brings the world to life.<\/p>\n\n\n\n The story itself is brimming with political intrigue, satisfying melodrama and explores themes such as class warfare, social inequality, corruption and manipulation of historical truth.<\/p>\n\n\n\n The biggest (and not insignificant) liabilities that Final Fantasy Tactics had was the difficulty in accessing the game (previously only released on PS1 and PSP) and some rather brutal difficulty spikes where it was possible to soft-lock your entire progress if you didn\u2019t adequately prepare for one notoriously difficult boss battle in Act 3. This Ivalice Chronicles remaster fixes all these issues. The game is now available on virtually all modern platforms and some very welcome quality of life improvements sand down the rough edges of the original game with added checkpoints and the ability to opt in and out of random battles. There are other welcome additions like voice acting, which heightens the presentation further still.<\/p>\n\n\n\n Sometimes, a re-release of a beloved video game can diminish the magic of the original. Not so with Ivalice Chronicles. It manages to elevate Final Fantasy Tactics and is a must-play for any fan of tactical rpgs.<\/p>\n\n\n\n Lumines Arise<\/p>\n\n\n\n Developer:<\/strong> Enhance Games For decades now, Tetsuya Mizuguchi has been one of my favourite game designers with his incredible catalogue of interactive synesthesia experiences including Rez, Lumines and Tetris Effect.<\/p>\n\n\n\n I\u2019d argue that Tetris Effect, with its blend of the classic block-dropping gameplay and Mizuguchi\u2019s presentation which synergizes dance music with vibrant, abstract imagery was his magnum opus. It was my game of the year in 2018 and remains one of my all-time favourite gaming experiences, VR or otherwise.<\/p>\n\n\n\n Lumines Arise takes the gameplay foundation of Tetris Effect \u2013 the burst mechanic which allows the players to build up multiple cleared blocks before erasing them all at once for a huge score multiplier \u2013 and applies it to his hit PSP game Lumines. The inclusion of a VR mode and journey mode will also feel very familiar to anyone who played Tetris Effect.<\/p>\n\n\n\n In that sense Lumines Arise is more of an iterative fusion of two previous Mizuguchi creations rather than anything radically new or different. But even so, this is a very welcome release and having \u2018more Lumines\u2019 and \u2018more Tetris Effect style gaming\u2019 is nothing to sniff at.<\/p>\n\n\n\n Bopping your head in time with two chameleons grooving to trance music about the human spirit while dropping coloured blocks to form squares. It\u2019s a form of gaming nirvana.<\/p>\n\n\n\n Hollow Knight: Silk Song<\/p>\n\n\n\n Game of the Year<\/strong><\/p>\n\n\n\n Developer:<\/strong> Enhance Games It took a little longer than they originally planned but Team Cherry\u2019s hugely anticipated successor to Hollow Knight finally arrived in 2025.<\/p>\n\n\n\n Hype and anticipation for the game reached fever pitch as it became one of the most wish-listed titles of all time and extraordinarily Silksong brought the online stores for Steam, Xbox and Playstation crashing down at its launch, such was the demand.<\/p>\n\n\n\n It might sound like a level of expectation too great to bear. An impossible standard to meet. And yet, for me at least, Silksong was every bit the game I hoped it would be and then some. I\u2019ll need some more time to pass before making a more definitive statement but I think when its all said and done Silksong will likely end up being one of my favourite games ever.<\/p>\n\n\n\n The basic setup is straightforward enough. You play as Hornet, a secondary character from the original Hollow Knight, who explores the kingdom of Pharloom, whose inhabitants have been afflicted by madness caused by silk.<\/p>\n\n\n\n Silksong does all the things a good sequel should do. Hollow Knight is already an excellent game, with its cavernous stages to explore and pixel perfect controls. Silksong does everything even bigger and better. The combat mechanics have greater depth to them. You have the ability to customize your attacks and hunt down valuable unlockables that improve your health, your damage output and traversal abilities.<\/p>\n\n\n\n Exploring Pharloom is a joy. The world is huge, filled with dozens of interesting and distinct biomes, populated with dozens of weird little bug dudes, some friendly, but mostly foes.<\/p>\n\n\n\n Then there\u2019s the bosses. About 40 of them. Most of them are hard. Brutally hard. And oftentimes the penalty for death is to boot you back to a respawn point that\u2019s all the way over on the other side of the map. Despite knowing that this game would attract a huge new audience of casual players, Team Cherry have made this game unapologetically difficult and at times flaunts that difficulty in the face of the player in a way that few developers would feel comfortable attempting. Bilewater and Hunters March both feel like areas of the map where the devs are at their most sadistic and unforgiving.<\/p>\n\n\n\n But the other side of that difficulty curve is the unrivaled sense of satisfaction that comes from besting the game\u2019s toughest challenges. I\u2019m not normally an animated gamer but Silksong had me fist pumping and hollering at the screen at times. Surviving The Last Judge, scaling the summit of Mount Fay and conquering the Savage Beastfly (for the second time) were all challenges that pushed me to the absolute limits. But with patience and persistence, I conquered these obstacles and felt like an absolute king.<\/p>\n\n\n\n Over time you also come to learn that the game isn\u2019t quite as nihilistic as it first seems and there are moments of genuine levity and camaraderie. That arena full of enemies that attack you in the Choral Chambers? Maybe a goofy little bug friend you made along the way will pay an unannounced visit to give you a helping hand. That flamboyant showbiz loving boss Trobbio? He probably has one of the funniest and over the top death animations I\u2019ve ever seen. Silksong is absolutely filled to the brim with little details that delighted me.<\/p>\n\n\n\n There\u2019s a completely missable sequence where Hornet gets sent to a prison, stripped of all her weapons and she has to bust out like it\u2019s the Great Escape. There\u2019s a tender moment shared with an ally where you sing at a waterfall that I found genuinely moving. And there are some bosses in this game that are works of absolute genius. The concept, design and execution of the Cogwork Dancers boss battle was one such instance. The ebb and flow of the swordfight with Lace was another. There are very, very few developers I can think of that rival what Team Cherry have achieved with Silksong.<\/p>\n\n\n\n Silksong\u2019s best-in-class game design, boss battles and incredible world building make it one of the best games of the year. But it\u2019s the surprising amount of personality and charm that Team Cherry infuse in all the characters that elevate it further still and make it one of the best games of this generation.<\/p>\n\n\n\n Honorable Mentions<\/p>\n\n\n\n Seance at Blake Manor<\/strong><\/p>\n\n\n\n A supernatural detective mystery set in 1897 Ireland. Great vibes, cool setting and smart puzzle design make this a must play.<\/p>\n\n\n\n Metroid Prime 4<\/strong><\/p>\n\n\n\n This is probably the nicest looking game Nintendo has ever made. I’ve only played about two hours so far though so I can’t say whether it should be in the top ten.<\/p>\n\n\n\n Consume Me<\/strong><\/p>\n\n\n\n Cleverly made and thoughtful indie game about a teenager with an eating disorder. Tackles a tricky subject matter with aplomb.<\/p>\n\n\n\n The Alters<\/strong><\/p>\n\n\n\n A space explorer stuck on an inhospitable planet must clone different versions of himself in order to survive. The next game from the This War of Mine developers.<\/p>\n\n\n\n The Roottrees are Dead<\/strong><\/p>\n\n\n\n An intriguing puzzle game in which you play the role of an investigator who must fill in the gaps of the Roottree family tree after the family perishes in a plane crash to see who is entitled to the considerable inheritance.<\/p>\n\n\n\n Sektori<\/strong><\/p>\n\n\n\n A great twin-stick shooter with dynamic stages from ex-Housemarque devs.<\/p>\n\n\n\n Expelled! – an Overboard game<\/strong><\/p>\n\n\n\n Overboard was an excellent visual novel game in which you play as a woman who murders her husband on a cruise ship and tries to get away with the crime. Expelled is a spiritual successor from the same devs in a new tale where you play the part of a student accused of murder at Miss Mulligatawney’s School for Promising Girls. These games are short, sharp and designed for multiple runs which I thoroughly enjoy.<\/p>\n\n\n\n Best of the Backlog<\/p>\n\n\n\n Half-Life: Alyx<\/strong><\/p>\n\n\n\n I finally got around to playing Half Life Alyx and it truly is the high point for virtual reality gaming. There are times where it genuinely feels like you’re playing a game from the future. The level named ‘Jeff’ where you explore a vodka distillery is a highlight. The teaser at the end for a potential Half-Life 3 boggles the mind.<\/p>\n\n\n\n Yoshi’s Island<\/strong><\/p>\n\n\n\n I never played Yoshi’s Island when it released thirty years ago on the SNES because I had migrated over to the Playstation. Its an excellent 2D platformer with some great character and stage designs. I wish modern Yoshi games were like this and not as simplified as they’ve become.<\/p>\n\n\n\n Suikoden<\/strong><\/p>\n\n\n\n The release of Suikoden I&II as an HD remaster collection from Konami was one of the most welcome releases in 2025. Some minor quality QoL improvements really enhance the experience of playing these JRPG classics. The story and characters remain timeless in their appeal.<\/p>\n\n\n\n Best Platform<\/p>\n\n\n\n Nintendo Switch 2<\/p>\n\n\n\n The Switch 2 has been a long awaited console and thankfully Nintendo made all the right moves to improve the hardware without deviating unnecessarily from what made the original system so popular.<\/p>\n\n\n\n A bigger screen really enhances the handheld experience. The horsepower under the hood seemingly places the console in the realm of PS4 Pro or Xbox Series S in terms of performance and this means it can run a lot of modern triple A games which is very welcome news.<\/p>\n\n\n\n While other platform holders are rapidly moving away from exclusivity for their first party games, Nintendo continue to buck this trend and for now, the only place to play Nintendo games is on Nintendo hardware. Since the Switch ecosystem is already home to most of the great indies as well as an ever improving catalogue of third party releases (Elden Ring, Resident Evil and Final Fantasy Remake are on the way soon), this makes the Switch 2 indispensable for anyone who wants to play a broad range of the most popular games today.<\/p>\n\n\n\n Archives<\/p>\n\n\n\n Top Ten Video Games of 2024<\/a> Top Ten Video Games of 2023<\/a> Top Ten Video Games of 2022<\/a> Top Ten Video Games of 2021<\/a> Top Ten Video Games of 2020<\/a> Top Ten Video Games of 2019<\/a> Top Ten Video Games of 2018<\/a> Top Ten Video Games of 2017<\/a> Top Ten Video Games of 2016<\/a> Top Ten Video Games of 2015<\/a> Top Ten Video Games of 2014<\/a> Top Ten Video Games of 2013<\/a> Top Ten Video Games of 2012<\/a> Top Ten Video Games of 2011<\/a>
Publisher:<\/strong> Kepler Interactive
Platform played:<\/strong> Xbox Series X<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Raw Fury
Platform played:<\/strong> Xbox Series X<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Supergiant Games
Platform played:<\/strong> Steam Deck<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Nintendo
Platform played:<\/strong> Nintendo Switch 2<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Devolver Digital
Platform played:<\/strong> Nintendo Switch 2<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> AdHoc Studio
Platform played:<\/strong> Steam Deck <\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Panic
Platform played:<\/strong> Steam Deck<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Square Enix
Platform played:<\/strong> Nintendo Switch 2<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Enhance Games
Platform played:<\/strong> Steam Deck<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n
Publisher:<\/strong> Enhance Games
Platform played:<\/strong> Steam Deck<\/p>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n
Game of the Year <\/strong>\u2013 Balatro<\/em>
Platform of the Year \u2013 <\/strong>Steam Deck<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 The Legend of Zelda: Tears of the Kingdom<\/em>
Platform of the Year \u2013 <\/strong>Analogue Super NT<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Vampire Survivors<\/em>
Platform of the Year \u2013 <\/strong>Nintendo Switch & Xbox Series X<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Metroid Dread
<\/em>Platform of the Year \u2013 <\/strong>Xbox Series X<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Yakuza: Like A Dragon
<\/em>Platform of the Year \u2013 <\/strong>Playstation 4<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Slay the Spire
<\/em>Platform of the Year \u2013 <\/strong>Playstation 4<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Astro Bot: Rescue Mission
<\/em>Platform of the Year \u2013 <\/strong>Playstation 4<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Super Mario Odyssey
<\/em>Platform of the Year \u2013 <\/strong>Nintendo Switch<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Stardew Valley
<\/em>Platform of the Year \u2013<\/strong> Playstation 4<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 The Witcher 3
<\/em>Platform of the Year \u2013 <\/strong>Playstation 4<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 Mario Kart 8
<\/em>Platform of the Year \u2013 <\/strong>Wii U<\/p>\n\n\n\n
Game of the Year <\/strong>\u2013 The Last Of Us
<\/em>Platform of the Year \u2013<\/strong> Playstation 3<\/p>\n\n\n\n
Game of the Year<\/strong> \u2013 The Walking Dead<\/em>
<\/em>Platform of the Year \u2013 <\/strong>Xbox 360<\/p>\n\n\n\n
Game of the Year<\/strong> \u2013 Clash of Heroes: Might and Magic
<\/em>Platform of the Year \u2013 <\/strong>Xbox 360<\/p>\n\n\n\n